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BRAVEHEART: "I DON'T WANT TO LOSE HEART"
Braveheart (2:12:34 - 2:14:30) is the story of Scotland’s pursuit of freedom from the tyranny of the English under the leadership of William Wallace, played by Mel Gibson. Leading up to this scene was a battle where Wallace and his men were fighting the English. Wallace thought he had the backing of the Scottish nobles, but they had been bought off by the King and betrayed him on the battlefield, leaving Wallace and his men to be routed by the English. We’ll see the leader of the nobles, Robert the Bruce, takes his act of betrayal particularly hard. Pay attention to how he owns his betrayal but doesn’t let it define him, and notice his resolve to fight for a purpose that is above himself:
Robert Bruce, Sr.: I’m the one who’s rotting, but I think your face looks graver than mine. Son, we must have alliance with England to prevail here. You achieved that. You saved your family, increased your land. In time, you will have all the power in Scotland.
Robert the Bruce: Lands, titles, men, power... nothing.
Robert Bruce, Sr.: Nothing?
Robert the Bruce: I have nothing. Men fight for me because if they do not, I throw them off my land and I starve their wives and children. Those men who bled the ground red at Falkirk fought for William Wallace. He fights for something that I never had. And I took it from him when I betrayed him. I saw it in his face on the battlefield, and it’s tearing me apart.
Robert Bruce, Sr.: All men betray. All lose heart.
Robert the Bruce: I DON’T WANT TO LOSE HEART!!! I want to believe as he does. I will never be on the wrong side again.
Maybe that’s the cry of your heart this morning. You’ve chased after everything you thought would satisfy your soul, and it’s left you empty--nothing. And maybe you even betrayed your savior to do it. You and I have been idolaters. We’ve built our own cisterns and they don’t hold water. They leave us empty-hearted.
Maybe you're even saying to yourself, "I DON’T WANT TO LOSE HEART. I want to BELIEVE. I will never be on the wrong side again."
Once a farmer was interviewing prospective workers. The farmer liked one young man especially as he seemed very joyful and able. He asked the man ’What makes you think you can have the job ?’. The man answered, ’I can sleep when the wind blows!’. The farmer thought his answer very strange but liked the man so he employed him.
Not long after employing this young man a violent storm came in the night over the farm. The farmer woke up and ran outside afraid of the damage there would be to his barns and stables if the doors were not closed properly or to his animals if they were not tied up properly! To his amazement he found everything in order and there was no damage. He found the young man sleeping peacefully on a pile of hay in the barn. Then he understood what he had meant when he said, "I can sleep when the wind blows." He was fully prepared when the storms came and even when his master came to check on him! He was not put to shame.
1. God won’t ask what kind of car you drove, but will ask how many people you drove who didn’t have transportation.
2. God won’t ask the square footage of your house, but will ask how many people you welcomed into your home.
3. God won’t ask about the fancy clothes you had in your closet, but will ask how many of those clothes helped the needy.
4. God won’t ask about your social status, but will ask what kind of class you displayed.
5. God won’t ask how many material possessions you had, but will ask if they dictated your life.
6. God won’t ask what your highest salary was, but will ask if you compromised your character to obtain that salary.
7. God won’t ask how much overtime you worked, but will ask if you worked overtime for your family and loved ones.
8. God won’t ask how many promotions you received, but will ask how you promoted others.
9. God won’t ask what your job title was, but will ask if you performed your job to the best of your ability.
10. God won’t ask what you did to help yourself, but will ask what you did to help others.
11. God won’t ask how many friends you had, but will ask how many people to whom you were a true friend.
12. God won’t ask what you did to protect your rights, but will ask what you did to protect the rights of others.
13. God won’t ask in what neighborhood you lived, but will ask how you treated your neighbors.
14. God won’t ask about the color of your skin, but will ask about the content of your character.
15. God won’t ask how many times your deeds matched your words, but will ask how many times they didn’t.
Author unknown
Copyright 1999 Gibson Productions
A GLIMPSE OF ME—COMMUNION MEDITATION
In Mel Gibson’s Movie, “The Passion of Christ” there is an obscure detail in the crucifixion scene that probably goes unnoticed by most people, but it is a detail that says so much.
When Jesus is being placed on the cross, the camera comes close to watch as a large spike is positioned in the middle of Jesus’ hand. Then, a mallet comes into focus, and a rugged hand swings it to drive the spike. Those are all things you expect to see.
But there is something you don’t see. You never see the face of the one who drives that nail. You never get a glimpse into the eyes, or heart of the one who so assuredly pounds away until the spike has passed through Jesus’ flesh and comes to rest in the wood of the cross.
You might be interested to know that the person who plays that role in the movie is the director himself, Mel Gibson. But why does he never show the face of the one who put Jesus on the cross? Why does he not give us the identity of the one who had the gall to put the Son of God to death?
He didn’t show us that face because that face was his. It was ours. We are the ones who put Jesus to death. It wasn’t the Romans. It wasn’t the Jews. It was our sin that nailed Jesus to the cross.
Colossians 2:13-14 says: “When you were dead in your sins and in the uncircumcision of your sinful nature, God made you alive with Christ. He forgave us all...
Some time ago I was reading about the 18th century German sculptor Johann Heinrich von Dannecker. His skills were impressive. He could bring stone to life with his tools. At the height of his powers, he wanted to do something special with his gifts -- he wanted to shape a statue of Christ that would stand out as a witness to his world. For two years he chiselled and scraped and polished the marble, till he was certain that it carried the likeness of his Lord. But he wanted to test his work on eyes that wouldn’t lie. So he went out to the street, and brought in a young girl. He took her into his studio, and he set her down in front of the shrouded stone. Uncovering it, he asked her, Do you know who this is? No, sir! she replied. But he must be a very great man. And Dannecker knew that he’d failed. The statue was good enough for kings and nobles, but it wasn’t good enough to speak the word about Christ.
He was discouraged. He was disheartened. He was depressed. But he knew that he had to try again. So he set his hand to the task. Six years it took him this time! Every day, painstakingly, shaping and carving. Finally it was done. And again, he brought in a child as his first critic. He took off the shroud, and asked her gently, Who is that? Legend has it that tears came to her eyes as she recognized Jesus. It was enough. Dannecker had finished his task. He had created his masterpiece. He had given visible shape to his faith. And later, to a friend, he told the secret of those last six years. It was as if, he said, Christ had joined him daily in his little room. He felt the nearness of his Lord. He sensed the glory of his Presence. All Dannecker had to do, really, was to transfer the vision of Christ that he received to the block of marble.
It’s a powerful story, isn’t it? But there’s more to it. There’s another chapter that comes later, one so striking that it actually makes John’s vision come alive.
Some years later, the French emperor Napoleon Bonaparte saw Dannecker’s work. He was very impressed. He sent for the sculptor, and he had a commission for him -- Make me a statue of the goddess Venus for the Louvre! he said. Quite an honor! To be chosen as the creator of a work of art like that! Who could refuse? But you know what?! Dannecker did! He refused the commission. He gave up that honor. And you know why? This is what he told Napoleon:
"A man who has seen Christ can never employ his gifts in carving out a pagan goddess!"
In the Congo, poor people who have nothing to give when the Church offering is taken will dip their hand in the offering plate to symbolize the giving of themselves. There’s also a story of a little crippled girl with a crutch who came to church and saw everyone place their offerings in the offering bag. She had no money on her but wanted to give to God so much, that she gave the usher her crutch!
In the movie Brave Heart, Mel Gibson plays the role of a man from Scotland whose name was Wallace. It was a great movie - very graphic in the battle scenes, but it really gave you a feel of what battles were like back in those days.
Wallace was trying to win Scotland’s freedom from the cruel rule of England. The King of England at this time was a man named Longshanks. He was as cruel as he was wicked. Longshanks hatred for both Scotland and Wallace grew as the movie progressed and Wallace won many victories against England..
But in the end Wallace is betrayed by a friend and captured by Longshanks who is now older and very ill. It is Longshanks plan to not merely kill Wallace but to have him beg for mercy and a quick death.
As the movie ends Wallace is brought to the court yard before a jeering crowd - they mock him, spit at him, and throw things at him.Then the King's executioner begins to torture him,telling him that if he begs for mercy they will make the death quick.
Meanwhile Longshanks is up in his room - on his death bed - waiting to hear his enemy Wallace beg for mercy....
After not responding, Wallace tries to speak - though it is difficult because his throat is messed up from being tortured.The man in charge of the torture gets the crowd to be silent so they all can hear Wallace beg. But instead of begging for mercy, Wallace summons up what little strength he has left to scream with great force the word --FREEDOM!!!!
Scott D. Campbell writing in The Globe and Mail (2/26/04) had this to say:
I have been following the controversy over Mel Gibson’s film The Passion of the Christ with interest, so I was anxious to read Rick Groen’s review of the film (The Greatest Gory Ever Told -- Feb. 25). Mr. Gibson’s stated goal was to provide an accurate film depiction of the last days of Christ’s life based on the Biblical account. That is why Mr. Groen’s criticisms of the film seem so strange.
Most of the things on Mr. Groen’s "wish list" didn’t happen according to the Biblical account. He faults Mr. Gibson for the manner in which he depicts Jesus as being divine -- which is how the Bible portrays Him. He faults Mr. Gibson for portraying Christ’s beatings and Crucifixion as violent and gory -- which is no doubt accurate. He faults Mr. Gibson for not portraying Christ as ...
STAY THE COURSE
The 2000 movie, The Patriot starred Mel Gibson as Benjamin Martin, a reluctant Revolutionary War hero.
Martin has an 18-year-old son named Gabriel who is eager to join the conflict.
Gabriel’s sentiments for his country are revealed by one pastime: throughout the first half of the movie, Gabriel diligently repairs an American flag he found in the dirt.
Tragically, Gabriel becomes a casualty of the war, and, suffering deep loss, his father Benjamin Martin appears ready to quit the cause.
While Martin is grieving at the side of his dead son, Colonel Harry Burwell, a Continental officer, attempts to persuade Martin not to quit.
He recognizes Martin has great influence with the soldiers and his departure would demoralize the troops.
As the scene opens, the colonel says, "Stay the course, Martin. Stay the course."
Grief-stricken, Martin responds, "I’ve run the course."
Resigned to the outcome, the colonel informs the troops and they ride on, leaving Martin behind.
As Martin loads his son’s personal effects on his horse, though, he finds the American flag Gabriel had successfully restored.
As the dejected soldiers ride away, certain they have seen the last of Benjamin Martin, Martin appears in the distance, carrying the flag.
With determination in his posture, he rides upright in his saddle, face like flint, the Stars and Stripes whipping in the wind.
Martin has been a symbol of perseverance for the men, and there is a triumphant shout of both relief and excitement from the once-weary troops as they see the patriot crest the hill.
Whether leaders at home, school, work or church, we must never underestimate the power of our influence to demoralize or to rally others.
People are watching. Soldiers look to officers.
Children look to parents.
We must stay the course.
["The Patriot": Perseverance despite Heartbreak, Citation: The Patriot, rated R, Columbia Pictures, Centropolis Entertainment; Executive Producers, William Fay, Ute Emmerich, Roland Emmerich; submitted by David Slagle, Lawrenceville, Georgia]
(Elapsed time: 2:13:09 to 2:15:50; Content: The Patriot is rated R for graphic violence. There is no nudity. )
Evangelish Robert Sumner told the story:
When George Gibson Polley was a boy in Richmond, he hit a baseball onto the roof of a six-story building. Since with most sandlot games, it was the only ball the boys had, George promptly climbed up the outside of the building and retrieved it. This was the start of scaling buildings that eventually earned for Polley the title “Human Fly.” Before his career came to a screeching halt at the age of 29 — not from a fall, but a fatal brain tumor — George scaled the outside of more than 2,000 buildings.
He climbed the Custom House in Boston, three buildings in a single day at Hartford, and one time he made it to the thirtieth floor of the Woolworth Building in NYC (at the time the world’s tallest) before being apprehended and arrested by a policeman. It seems that he did not have a permit. Most of the time, however, everything was legal and on the up and up, with store owners hiring him for grand openings and an assortment of sales. He could earn $200 a climb — more than many men were earning in over a month during those depression days.
While I cannot say for certain now, I think it was Polley who came to my hometown on two different occasions when I was just a boy. One time it was to scale the outside of the largest department store building in the city, located at the main intersection, the Chapman-Turner Department Store. the other time was to climb a new hotel located a block away. On both occasions, I recall standing on the sidewalk across the street, open-mouthed, heart in throat, gripping tightly my father’s hand, as Polley slowly, yet confidently, climbed to the top. Since it was standard fare in his act, I assume he pretended to slip and start to fall at least a time or two during each climb, hanging by his fingertips from a ledge.
Polley’s financial success launched a number of other “human fly” careers in those bitter depression days. One of the exciting dare-devils had been announced to climb a large department store building in downtown Los Angeles. A great throng assembled to watch and the man, slowly and carefully, climbed floor after floor up the outside of the building.
When he reached a point very near the top, the crowd watched him feel above his head, both to the right and to the left, for something he could use to raise himself higher. Eventually he spotted what seemed to be a jutting brick or a piece of stone. Since it was inches beyond his reach, he ventured everything on a cat-like spring, wrapping his fingers around the object.
While the crowd below watched in horror, the human fly fell with a scream to the sidewalk and was smashed into pieces. When medical attendants pried back his fingers to see what he had clutched, they found a spider’s web! he had risked everything on what proved to be dried froth! —Robert Sumner.
