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Sermon & Worship Packages: Time to Remember
One of my all-time favorite scenes out of Hollywood. (They are few and far between for me...) It’s a scene from one of the Star Trek TV series. Worf, the Klingon, is captured by the evil Dominion. They intend to use him as a practice dummy in hand-to-hand combat for their lethal ground troops, and so they do. They bring out soldier after soldier to take Worf on and they go at it. It’s never very long before the bad guys get tired of getting beat up, and they "tap out" and quit. So, after Worf’s been taking on all comers for most of the day, they finally bring out their biggest and baddest, the one warrior they know will be able to win. They begin to battle, and Worf is just too weak from the day’s struggles. He is little more than a punching bag for the bad guy to work out on. But Worf will not "tap out" like all the other beaten soldiers. He keeps getting up, no matter how many times he is knocked down, no matter how injured he is. He simply will not quit. It is obvious that this valiant warrior has won the respect and admiration of all the Dominion troops, including the one now beating him up. They all begin to beg him to tap out and quit, but he will not. Finally, out of sheer exhasperation, the warrior who is beating him stops and "taps out" himself. When asked by his enraged commander why he has done this, he says, resigned, "I cannot defeat this man. I can only kill him."
Think about that for a moment. I cannot defeat this man. I can only kill him. I don’t know about you, but my goal is to hear the devil himself say those words about me some day. I will not tap out. How about you?
[Courageous Fishers of Men, Citation: Eugene A Maddox, Interlachen, Florida; source: The Perfect Storm]
The movie, The Perfect Storm, well described the dangers of the fishing industry through the eyes of the crew of the fishing boat, the Andrea Gail.
Out of their need to bring home an excellent catch of fish, the captain and crew decide to risk everything and travel as far as the remote but fertile fishing ground called the Flemish Cap. It is an especially dangerous trek during the unpredictably stormy month of October.
On their way back to Gloucester, Massachusetts, the Andrea Gail encounters the "perfect storm" of 1991 and is never heard from again.
While improvements in shipbuilding, navigational technology, weather-reporting and rescue support have made boating safer, fishing has become, if anything, a more lethal occupation, killing more of its workers per capita than any other job in the United States.
"There are many kinds of work that are dangerous, but one of the interesting things about fishing is that it really hasn’t changed much over time," says The Perfect Storm author Sebastian Junger. "It’s been mechanized, of course, but the basic reality of going to sea for months at a stretch is the same as it was 100 years ago. You’re way beyond help from anyone else; you’re on your own. I think that forms a certain kind of character. Not only does everyone know someone who has died at sea but everyone who works in the fishing industry has almost died. Every single fisherman you talk to has almost gotten nailed at one time or another."
It takes courage to be a fisherman. And it takes courage to fish for the souls of people.
One of the most moving passages in English literature comes toward the end of Charles Dickens’ "Tale of Two Cities", a story of the French revolution. Each day there was a grim procession through the streets of Paris of prisoners on their way to the guillotine. In one of the processions was Sidney Carton, a brave man who had once lost his soul but had now found it again and was now giving his life for his friend. Beside him there was a young girl. They had met before in the prison, and the girl had noticed the gentleness and courage of the man’s face. She said to him "If I may ride with you, will you let me hold your hand? I am not afraid, but I am little and weak, and it will give me more courage." So they rode together, her hand in his; and when they reached the place of execution there was no fear in her eyes. She looked up into the quiet composed face of her companion, and said "I think you were sent to me by heaven". In all the dark valleys of life, God our Father, the God of all comfort, in the person of the Lord Jesus Christ and the Holy Spirit, is at our side.
[Fiddler on the Roof]
Tevye: "Golde, I have decided to give Perchik permission to become engaged to our daughter, Hodel."
Golde: "What? He’s poor! He has nothing, absolutely nothing!"
Tevye: "He’s a good man, Golde. I like him. And what’s more important, Hodel likes him. Hodel loves him. So what can we do? It’s a new world... A new world. Love. Golde..." Do you love me?
Golde: Do I what?
Tevye: Do you love me?
Golde: Do I love you?
With our daughters getting married
And this trouble in the town
You’re upset, you’re worn out
Go inside, go lie down!
Maybe it’s indigestion
Tevye: "Golde I’m asking you a question..." Do you love me?
Golde: You’re a fool
Tevye: "I know..." But do you love me?
Golde: Do I love you?
For twenty-five years I’ve washed your clothes
Cooked your meals, cleaned your house
Given you children, milked the cow
After twenty-five years, why talk about love right now?
Tevye: Golde, The first time I met you
Was on our wedding day
I was scared
Golde: I was shy
Tevye: I was nervous
Golde: So was I
Tevye: But my father and my mother
Said we’d learn to love each other
And now I’m asking, Golde
Do you love me?
Golde: I’m your wife
Tevye: "I know..." But do you love me?
Golde: Do I love him?
For twenty-five years I’ve lived with him
Fought him, starved with him
Twenty-five years my bed is his
If that’s not love, what is?
Tevye: Then you love me?
Golde: I suppose I do
A video clip from the movie "Dead Man Walking" might give us a better understanding of what mercy really is.
In the video, Sister Helen Prejean sits with convicted killer Matthew Poncelet in his cell. When he confesses that he has indeed killed a man, Sister Prejean teaches him that he can become a child of God by asking for forgiveness of his sins and owning up to his responsibility—which he does, realizing that confession doesn’t negate what he’s done. The best he can do is wish the families peace. Poncelet is grateful for Sister Prejean’s compassion and love.* The video concludes with Poncelet telling Sister Prejean, "Thank you for loving me." (* Source: Videos That Teach, by Doug Fields and Eddie James)
In the musical “Fiddler on the Roof,” Tevye, a man devoted to tradition, finds his thinking challenged when his oldest daughter wants to marry for love, instead of having her marriage arranged by her parents. It had never occurred to him that one would marry for love, and one night he cannot help but ask his own wife the question (in song, of course!): “Do You Love Me?”
T: Golde, do you love me?
G: Do I what?
T: Do you love me?
G: You’re a fool!
T: I know! But do you love me?
G: Do I love him? For twenty five years I’ve cooked for him, cleaned for him, starved with him. Twenty five years my bed is his. If that’s not love - what is?
There are times when going through the motions just doesn’t cut it. There are even times when a commitment to “going through the motions” can cause us to miss what’s most important. For 25 years, Tevye and Golde had been going through the motions of a loving marriage, without ever thinking about whether they loved one another or not.
One of my favorite comedies is "Groundhog Day", a make-believe story about
a weather man, Phil Conners who has a bad attitude, even worse manners, and a razor tongue. He was was reporting on Groundhog Day from a small town he cared little about. The fuss the folks were paying to a groudhog he cared less
about, but he did care for the new and attractive producer.
After the shoot, they couldn¡¦t get out of town because of the bad weather.
To his horror, when he woke up the next day, he discovered that he had woken up to yesterday. He met the same people, did the same things, and
said the same things and ended up at the end of a promising day on a sour
note, where he had to start all over again the next day!
He tried many ways to beat the system, take advantage of what he knew the
previous day, but over and over he woke up to a new day after a terrible
mistake. Since he was going nowhere, he tried to woo the producer, and she
was smitten with him because he knew her likes and dislikes day by day, and
just as she was about to kiss him at the end of the day, she discovered he
was just a hypocrite mouthing words to win her, and she slapped him. She
slapped him for many recurring days, until he gave up trying to be who he was
not, learn new things like playing the piano, changed his attitude and just
enjoy the town and people and even the weather that left him there.
When that happened, the producer fell in love with the new Phil Conners, the
weather cleared up, and the next day was a new day.
In the 1950¡¦s comedy classic ¡§I Love Lucy,¡¨ one episode dealt with Lucy¡¦s lack of cooking skills. She had no clue how much yeast to use. She kept dumping it in¡Kone box, two, three. She left the bread in the refrigerator for a while as she talked on the phone. When she returned the kitchen was filled with bread!
That is Paul...
Tony Miano
The movie industry has made some pretty creative attempts at explaining conflict with god. For those of you that remember the movie “Caddyshack,” there is a scene toward the end of the movie in which a golfing enthusiast priest is playing the round of his life. As he makes his way around the links, the weather turns.
The movie depicts the scene as a battle between this priest in search of nirvana through a golf game and a insensitive and spiteful god that would thwart the priest’s quest for that perfect game. The scene ends with the priest defiantly raising his putter to the violent heavens and being struck down by a well-placed bolt of lighting.
I’m sure many of you have seen the movie “Forrest Gump.” Well, there is a scene in this movie about man’s conflict with god as well. In this movie, the character “Lt. Dan,” who lost both of his legs in a battle in a Vietnamese jungle, and was saved by none other than Forrest Gump, decides its time to have it out with god.
Forrest, by this time, is trying to make it on his own as a shrimp boat captain. Lt. Dan joins Forrest as his first mate. The two men manage only to salvage tires, license plates, and toilet seats from the ocean’s bottom. After several failed attempts, Lt. Dan asks Forrest, “Where’s this god of yours?”
As soon as Lt. Dan asked the question, god arrived in the form of a destructive hurricane. As the storm rages, we find Lt. Dan strapped to the top of the mast, next to an American flag, shaking his fist at god, daring god to try to destroy the boat, and cursing like a sailor. When the storm subsides, Lt. Dan and Forrest’s boat was the only one still afloat. Since no one else could harvest the shrimp, Bubba Gump Shrimp Company became a multi-million dollar industry. A few minutes later in the movie we find Lt. Dan at peace with the world. He had met god face to face, so the filmmaker would have us believe, and won.
Let me share with you one last example, one that I saw recently. The scene is found in the season finale of the popular television show “The West Wing.” President Bartlett, played by Martin Sheen, faces his major conflict with god.
The scene finds President Bartlett alone in the National Cathedral following the funeral of his secretary and long-time friend. The President orders his chief of staff to tell the Secret Service agents outside to secure the perimeter so he won’t be disturbed. After a moment or two of silence, Bartlett does battle with god.
Bartlett begins to curse god for, as he saw it, causing his friend to die in a car accident. He curses god and blames him for the other tragedies that have occurred up to this point, during his presidency. He defiantly lights a cigarette, takes a few puffs, and then tosses the cigarette to the floor, crushing it under his shoe as he gives god a dirty look.
The producers of the show set the scene the way they did in order to try to get the audience to feel sorry for Sheen’s character and respect his independence and defiance of god. It certainly didn’t work for me. In fact, I was so offended by the scene; I doubt I’ll watch the show again.
In all likelihood, and I think I’m on safe ground with this assumption, the producers of the shows I just described have spent little time studying James’ letter. From what we see often times in the media, conflict with god is portrayed as something god desires and causes.
More often than not, we find man as the hero in the conflict and god being the weak, unknowable force. In the media, when man comes to terms with god, it is more often than not due to man’s strength and god’s capitulation, not as a result of man’s submission to God’s will. Hollywood does not see conflict with God the same way James does, or the way we should.
If you go on-line and read the transcript of this portion of this morning’s message, you will see that when I describe these various scenes, I use a little “g” when I make mention of God. The reason is simple. In depicting man’s conflict with God, Hollywood shows quite brazenly that they have no idea who the God of the Bible is.
This morning, as we study God’s Word, we’re going to see what conflict with God looks like from God’s perspective, not man’s.
Brian La Croix
A few years ago there was a series of commercials featuring a man wearing a flannel shirt and jeans who would be telling people how much he cared for them, often getting teary-eyed as he said with all the emotion he could muster, “I love you, man!”
And the person he was speaking to in that particular commercial, whether it was a girl, his dad, or whoever, would say, “You’re not getting my Bud Light.”
The commercials were funny, but they serve to illustrate the fact that these people could see through this guy’s self-serving talk.
He wasn’t interested in love, he was only interested in their beer, but he was willing to say anything to get it.
Pastor's MediaVault
