The triumphal entry has about it an aura of ambivalence, and as I read all the accounts together, what stands out to me now is the slapstick nature of the affair. I imagine a Roman officer galloping up to check on the disturbance. He has attended processions in Rome, where they do it right. The conquering general sits in a chariot of gold, with stallions straining at the reins and wheel spikes flashing in the sunlight. Behind him officers in polished armor display banners captured from vanquished armies. At the rear comes a ragtag procession of slaves and prisoners in chains, living proof of what happens to those who defy Rome.
In Jesus’ triumphal entry, the adoring crowd makes up the ragtag procession: the lame, the blind, the children, the peasants from Galilee and Bethany. When the officer looks for the object ...
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