Summary: Sermon #3 in the Hymn-writers series deals with Ira Sankey and Fanny Crosby, one of the most prolific hymn-writers of the 1800’s

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Fanny Crosby 1820-1915

Singing the Gospel

CHCC: July 13, 2008


This Summer I’m preaching a few sermons based on Psalm 149:1-3: "Praise the Lord! Sing to the Lord a new song. Sing his praises in the assembly of the faithful." In the first sermon we talked about Isaac Watts who wrote over 600 hymns in the late 1700’s including WHEN I SURVEY THE WONDROUS CROSS and O GOD OUR HELP IN AGES PAST.

In the second sermon, we talked about song writers who came soon after Watts --- Charles Wesley who wrote almost 7,000 hymns --- songs like JESUS, LOVER OF MY SOUL and CHRIST THE LORD IS RISEN TODAY. And John Newton who wrote AMAZING GRACE.

This may be totally new information to some of you. For others it probably seems like a “trip down memory lane” The point I want us to see is that hymns we think of as so staid and traditional were once NEW SONGS. Watts & Wesley were the Tomlins & Redman’s of their day.

Much of their music has gone by the wayside after 250 years. But a few hymns have such timeless value that we still sing them today. It’s good for us to appreciate our heritage of Christian music. But it is much MORE important for us to be open to the new songs that speak to people here and now.

The challenge we face in the 21st century is the same challenge Christians have faced in every Century. How can we open the way for a new generation of Christian music --- music that will reach people with God’s timeless message in the here and now?

Nostalgia is nice … but it’s not what the Church needs to offer. We don’t come to church to relive the good old days. Church is a place where we can worship our God TODAY --- We want our words and our music to make sense to people who NEED to know about God TODAY.

So … having said that … we’re going to move on in our “music history lessons” --- into the middle of the 1800’s. By this time, the Colonies had become the United States of America. Our nation came out of a painful Civil War still intact. Soon after this, a businessman named Dwight L. Moody began to hold Evangelistic Campaigns in America.

These crusades used the same methods the Billy Graham crusades would use a hundred years later. They started with house-to-house canvassing; local churches of all denominations were invited to participate; and some large, central building was rented for the meetings.

Moody believed MUSIC was important to Evangelism. After he heard a man named Ira Sankey sing at a YMCA, he invited Sankey to join him in his meetings. Both Moody and Sankey left successful business careers and gave the rest of their lives to evangelistic efforts.

Sankey sang a new kind of music that fit the needs of that day. He used melodies that sounded like the popular music of the day. He sang songs using language that sounded like the way people talked in that day. And he often accompanied himself on a little pump organ.

By the way, there were plenty of church folks who disapproved of using an organ to accompany the singing. They associated the pump organs with the Theater. So they complained that Church was no place for playing the Organ! (Hard to imagine, isn’t it?)

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